Interior & Architecture - Residential

F House I Kempinski Balmumcu

Interior & Architecture
2025
Istanbul / Turkey
250 sqm
Wangan
Wangan
Ozan Bal, 645 Studio
Kerem Özerler, Kutay Yorulmaz, Mert Can Uzyıldırım, Beril Berker, Berna Sönmez Temizel, Melisa Akkök

F House was designed with the aim of transforming a residential apartment in Istanbul into a more personal, layered, and lived-in space. The starting point was not a sterile, anonymous residential atmosphere but a domestic narrative in which art, music, and daily rituals become natural constituents of the space. The clients sought a home with a strong aesthetic character that was, at the same time, calm and balanced. Toward this end, the continuity of natural materials, built-in furniture integrated with the architecture, and a design language established through collected objects were used to build a timeless atmosphere across every room.

In terms of plan, we aimed to transform spatial perception and establish surface continuity by making use of every intervention the structure allowed. The conventional entrance hall arrangement found in the delivered plan was reconsidered in favor of a layout that establishes a more direct relationship with the living area. The threshold between the entrance and the salon, previously defined by a conventional door, was removed, creating a more permeable and continuous connection between the two spaces.


Coffee culture, which plays a significant role in the clients' daily lives, became one of the project's central focuses. The bar unit embedded within the travertine wall was conceived with a scenario that evokes a cocktail bar atmosphere, while integrated professional coffee equipment gave it the character of a compact working café, making it an organic part of everyday life. Daylight entering through the apartment's wide facade openings was diffused more softly and evenly through layered textile screens, allowing the tones of travertine, timber, and textile surfaces to be read differently as the light shifts across the day. The household's pets were incorporated into the spatial logic from the outset. Furniture and textile selections prioritized durability while favoring materials that minimize allergen risk.

The hi-fi listening corner, positioned between the living and dining areas, was designed as both a listening space and a personal collection area that directly brings the clients' daily habits into the room. It was treated not simply as an acoustic corner but as an expression of the home's character.


In the master bedroom, the aim was again a characterful but quieter atmosphere. Two rooms defined in the original plan as a bedroom and a dressing room were merged into a single, cohesive master suite, producing a spatially more open solution while preserving the same degree of privacy. Oak timber surfaces running along the wall were designed as integrated wardrobes; the decorative painted frames at the wardrobe terminations and the joinery elements were detailed to maintain the room's architectural continuity. A low platform bed and light-toned textiles were used to soften the atmosphere.

A glazed cabinet volume, placed at the center of the room and treated as a sculptural object, was designed to become part of the room's architectural composition. This sculptural volume, combining glass, mirror, and brushed stainless surfaces, was conceived not merely as a storage element but as a secondary volume within the space, separating the sleeping and dressing areas in a fluid yet functional way.


Through these design decisions, F House became a layered spatial composition in which architecture, furniture, art, and everyday habits converge. The continuity of natural materials, the relationship between collected objects and the spaces they inhabit, and the integration of lived routines into the design produced a home that is personal, timeless, and genuinely occupied.